But when I think back to the events of the early ’90s, my sympathy goes not only to the children who were caught up in these devastating events, but to Mia as well—not just because I believe that Woody is the obvious villain, but because of the way the media treated her.
This was a story that played out, like many Manhattan dramas, in the pages of New York tabloids. For the New York Post, this was content, not a family tragedy. The New York City media ecosystem sustained itself on stories of Woody and Mia and Soon-Yi. There were headlines like “Woody Loves Mia’s Daughter” and “Woody’s Steamy Tapes” splashed across the New York Post. Even the more subdued New York Daily News had this headline: “Woody in Love, Allen Speaks Out About Mia’s Daughter.” The tabloids bathed in a kind of sick glee. It was the sort of story that confirmed everything media wanted to believe about celebrities. The storyline was that they might be famous and beautiful, but deep down they were profoundly, truly, and deeply broken.
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