At the time of the British Vogue shoot, Stella, a 23-year-old student at Winchester School of Art, was already on her summer holiday in the Highlands so arrived on the sleeper train from Scotland on the third day of the shoot. She had been “making an art piece with sheep’s wool from her family’s farm and diving into lanolin,” Sykes recalls, and as a result, as Issy had noted, “She was rather smelly.”
Vogue’s then editor in chief Alexandra Shulman wanted the nose ring removed: “There was a large disagreement about it,” Sykes recalls, but Shulman lost that battle, and Meisel’s striking images of the be-ringed Stella, eclectically dressed in such ensembles as McQueen’s tattered lace mini dress, Westwood platform shoes, and a fanciful Philip Treacy hat, dominated the “London Babes” portfolio, alongside fledgling designer Bella Freud (daughter of the artist Lucien Freud), Lady Louise Campbell (who had been flown in by helicopter from the Moet & Chandon chateau d’Epernay), convent girl Honor Fraser, and Plum Sykes herself (whom Meisel had insisted on including the moment he set eyes on her). Meisel was so smitten with Stella’s patrician beauty and achingly cool style that he asked her if she would come to Paris to shoot the Versace campaign the following week.
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